發(fā)布時(shí)間： 2016年04月28日

考研英語閱讀提升：了解文章寫作的四大套路

考研英語閱讀是關(guān)系到英語能否拿高分的關(guān)鍵題型，要得英語天下，閱讀必須過關(guān)。那么同學(xué)該怎么做呢？新東方在線提醒考生，要突破閱讀桎梏最重要的還是要了解文章主旨，把握中心細(xì)節(jié)。這就需要考生了解文章的寫作套路和構(gòu)成，從根源處著手。下面我們就詳細(xì)來看。

考研英語閱讀提分：了解文章寫作的四大套路

要把握住文章中心，首先要弄清楚文章的展開方式?？偟膩碚f，考研閱讀理解的文章大多數(shù)情況下按以下套路寫作：

1. say it 開門見山型，即文章一開頭就直接亮明中心

文章展開方式：演繹法文章中心位置：第一段

2. say what you are going to say 拋磚引玉啟或承傳合型

文章展開方式1. 鋪墊法通過一個(gè)例子或引用一段話引出文章中心

文章中心位置：第一段最后一句，或者第二段第一句

文章展開方式2. 轉(zhuǎn)折法首段先提出一種觀點(diǎn)，然后反駁之。

文章中心位置：轉(zhuǎn)折詞后

3. say it again 分總型

文章展開方式：歸納法文章一開始并不亮明中心，而是要在結(jié)尾段落才給出觀點(diǎn)。

文章中心位置：最后一段

4. 其他中心需要自己概況，這種情況極其少見。

那么，結(jié)合以上對(duì)文章寫作套路的把握，文章中心的位置其實(shí)就很好判斷了。通常應(yīng)該出現(xiàn)在首段，二段首或尾段：

1. 首段或二段首有問句，問題答案是中心;

2. 首段或二段首有轉(zhuǎn)折，轉(zhuǎn)折處是中心;

3. 首段出現(xiàn)例子或引用，則例子或引用之后為中心;

4. 若無上述情況，則首段首句為中心或文章中心需要概況。

下面以2000年text 3 為例，來分析抓中心對(duì)解題的作用。我們把首段，二段首和尾段首句挑出來，并將文中中心畫上下劃線，則結(jié)果如下：

When a new movement in art attains a certain fashion, it is advisable to find out what its advocates are aiming at, for, however farfetched and unreasonable their principles may seem today, it is possible that in years to come they may be regarded as normal. With regard to Futurist poetry, however, the case is rather difficult, for whatever Futurist poetry may be -- even admitting that the theory on which it is based may be right -- it can hardly be classed as Literature.

This, in brief, is what the Futurist says;

This, though it fulfills the laws and requirements of Futurist poetry, can hardly be classed as Literature.

那么，我們來看看其中一些題目，答案(帶下劃線的選項(xiàng))是否一目了然呢?

59. This passage is mainly ________.

[A] a survey of new approaches to art [B] a review of Futurist poetry

[C] about merits of the Futurist movement [D] about laws and requirements of literature

60. When a novel literary idea appears, people should try to ________.

[A] determine its purposes [B] ignore its flaws

[C] follow the new fashions [D] accept the principles

62. The author believes that Futurist poetry is ________.

[A] based on reasonable principles [B] new and acceptable to ordinary people

[C] indicative of basic change in human nature [D] more of a transient phenomenon than literature